I made a summer research update last year (see here) and thought I would continue the tradition this year. It helps me see what I have accomplished this past year and what things I have in progress.
Article: “The Carnival of the Mad: Foucault’s Window into the Origin of Psychology,” Foucault Studies 30 (June 2021).
Article: “The Weight of Bodily Presence in Art and Liturgy.” Religions 12, no. 3: 164 (2021): 1-14. Invited article for special issue entitled “Phenomenology and Liturgical Practice.”
Chapter in Edited Book: “The Need for Merleau-Ponty in Foucault’s Account of the Abnormal.” In Normality, Abnormality, and Pathology in Merleau-Ponty, edited by Talia Welsh and Susan Bredlau, SUNY Press. Abstract. All revisions have been finalized and it should be published very soon.
My Book!Madness in Experience and History: Merleau-Ponty’s Phenomenology and Foucault’s Archaeology. Forthcoming December 2021 with Routledge. Part of the Psychology and the Other Book Series. The full manuscript has been submitted and it is currently in the production phase. This summer, I will be doing the final edits and compiling the index.
Currently Working On
Article: No title yet. Something on Foucault’s unreason (déraison) and Victor Hugo’s display of madness in Les Miserables.
Joint Book Project with Dr. Mark Allen. Tentative title: Art and the Flourishing of the Ordinary. Our goals for the summer are to write a joint abstract and start contacting some publishers. Related to Mark’s dissertation on art and philosophy and my master’s thesis on existential aesthetics.
Joint Article with Dr. Mary Schwarz. Tentative title: “Reclaiming our Lost Identity with Marcel: A Response to Suicide and Other Acts of Self-Harm.” Planning on submitting this to the journal Marcel Studies.
Article. No title yet. Something on disability as a way of accessing the world but also a mode of suffering in the world.
Future Big Project. Something on the phenomenology of suffering and pain.
I am happy to announce that my article “The Carnival of the Mad: Foucault’s Window into the Origin of Psychology” has just been published in the journal Foucault Studies. This article was extremely time intensive due to the research required, including translating sections of books and articles from French to English. It was also challenging because I had to obtain permission to use the rare photos of Foucault at the carnival in the article. I am so happy that it has been completed! You can see the official post here (where you can read it online or download it). Or you can also download it from my profile on academia.
If you have felt concern about the motivations and goals of modern psychology, this is for you! It also gives you a glimpse into the history behind the use of some mental health medications. Here is the abstract:
Foucault’s participation in the 1954 carnival of the mad at an asylum in Switzerland marked the beginning of his critical reflections on the origins of psychology. The event revealed a paradox at the heart of psychology to Foucault, for here was an asylum known for its progressive method and groundbreaking scientific research that was somehow still exhibiting traces of a medieval conception of madness. Using the cultural expression of this carnival as a starting place, this paper goes beyond carnival costumes to uncover the historical structures underneath the discipline of modern psychology. Drawing on Foucault’s earliest works in psychology, his 1954 Mental Illness and Personality, his 1954 “Dream, Existence and Imagination,” his 1957 “Scientific Research and Psychology” and briefly his 1961 History of Madness, I will describe the discrepancy between the theory of modern psychology, which finds its heritage in the methods of modern science, and the practice of modern psychology, which finds its heritage in the classical age. I will argue that this division helps make sense of unexplained psychological phenomena, as seen in general practices related to artistic expression, and individual experiences, as seen in the presence of guilt and the resistance to medical diagnosis in patients.
I am happy to announce that I have accepted a position as assistant professor of philosophy at the University of Mary. We will be moving to North Dakota later this summer and I will start the position this Fall 2021.
The University of Mary is a well-rounded Catholic school with a hospitable and welcoming community. I am so looking forward to joining them this fall!
Watch this short video to learn more about the University of Mary.
I have been accepted to present the paper, “Virtual Church and Virtual Symphony: Considering the Importance of Bodily Presence,” at the Psychology and the Other 2021 Conference. It will be virtual this year, but I am still looking forward to it. If you would like the longer version or a copy of the paper, please contact me.I will be covering similar material to be my published article on liturgy, “The Weight of Bodily Presence in Art and Liturgy” (see the post here and download the pdf here).
Here is the short abstract:
This paper weighs in on the question of virtual church, particularly on whether or not liturgy can be done virtually. We will approach our subject from an unusual perspective by looking first to aesthetic experiences, such as watching a virtual symphony, and then relate them to liturgical experiences, such as attending virtual church. Art and liturgy are linked in that they both have the unique ability to facilitate presence, to make something known to us in a new way so that we walk away changed. I argue that what art teaches us about the importance of the body applies to the practice of liturgy and that, while unexpected benefits will surface in virtual settings, nothing replaces the powerful experiences that arise when the body is physically present.
I am happy to announce that my article, “The Weight of Bodily Presence in Art and Liturgy,” has been published! It was published in the journal Religions in a special issue entitled “Phenomenology and Liturgical Practice.” You can see the official post here (where you can read it online or download it). Or you can also download it from my profile on academia.
If you have wondered about the advantages and disadvantages of doing virtual church during the pandemic, this is for you! Here is my abstract:
This essay addresses the question of virtual church, particularly on whether or not liturgy can be done virtually. We will approach our subject from a somewhat unusual perspective by looking to types of aesthetic experiences which we have been doing “virtually” for a long time. By exploring how we experience art in virtual and physical contexts, we gain insight into the corresponding experiences in liturgical practices. Drawing on Mikel Dufrenne, Maurice Merleau-Ponty and Gabriel Marcel, I first examine the importance of the body when we experience “presence” in aesthetic environments. Next, I consider the weight of the body in experiences of presence in liturgical practices, both in person and virtual, guided again by Gabriel Marcel as well as Bruce Ellis Benson, Emmanuel Falque, Christina Gschwandtner and Éric Palazzo. Through these reflections, I argue that what art teaches us about the significance of the physical closeness of the human applies to the practice of liturgy and that, while unexpected benefits will surface in virtual settings, nothing replaces the powerful experiences that arise when the body is physically present.