Category Archives: Emmanuel Falque

Conference Presentation: Art Speaks the Unspeakable: Suffering of the World in Aesthetic Expression or L’art dit l’indicible: souffrance du monde dans l’expression esthétique

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I presented at the International Network of Philosophy of Religion conference which took place in Perugia, Italy on June 11, 2024. It was a wonderful conference connecting with old friends and meeting new ones. The location was beautiful overlooking several small cities including Assisi (where St. Francis was from).

Here is a picture from the back of the hotel.

The conference is both in French and English so I wrote my abstract in both. And like last time, I read my paper in English but read the longer quotations in the original French.

Title: Art Speaks the Unspeakable: Suffering of the World in Aesthetic Expression

Abstract. Responding to the discussion on solitude and tragedy (the “extra-phenomenal”), at our last conference, and reflecting on the crisis of our created world, for this conference, this paper looks to the power of art to speak into the silent spaces of deep suffering. Because there are events where no human language — not even the language of phenomenology — can offer us a satisfying response, art has an ethical obligation to speak to us in the midst of personal and global suffering. Drawing on Maurice Merleau-Ponty’s idea that art emerges out of silence, I will first offer further proof for why it is that art must speak of suffering. Next, I will describe how art fulfills this obligation due to its facility with the vocabulary surrounding suffering, for example, death and brokenness, as seen in illustrations from the art of the French existentialists, Simone de Beauvoir, Gabriel Marcel, Jean-Paul Sartre and Albert Camus. Lastly, I will present what art says to us in suffering to demonstrate its indispensability; for the uncompromising message of aesthetic expression reveals to us the fullness of reality, the hard and the good, unlike anything else.

L’art dit l’indicible: souffrance du monde dans l’expression esthétique

Le résumé. Répondant à l’échange sur la solitude et la tragédie (le “Hors-phénomène”), lors de notre dernière conférence, et réfléchissant sur la crise de notre monde créé, pour cette conférence, cet article se penche sur le pouvoir de l’art de parler dans les espaces silencieux de la souffrance profonde. Parce qu’il y a des événements où le langage humaine — même le langage de la phénoménologie — ne peut pas nous offrir une réponse satisfaisante, l’art a une obligation éthique de nous dire quelque chose au milieu de la souffrance personnelle et globale. Faisant appel à l’idée de Maurice Merleau-Ponty selon laquelle l’art émerge du silence, j’offrirai tout d’abord une preuve en plus du fait que l’art doit parler de la souffrance. Ensuite, je décrirai comment l’art remplit cette obligation par sa richesse de vocabulaire du domaine de souffrance, par exemple, la mort et le monde cassé, comme le montrent les illustrations des arts des existentialistes français, Simone de Beauvoir, Gabriel Marcel, Jean-Paul Sartre et Albert Camus. Et enfin, je présenterai ce que l’art nous dit dans la souffrance pour démonter sa nécessité ; car le message intransigeant de l’expression esthétique nous révèle la plénitude de la réalité, du dur et du bien, contrairement à toute autre chose.

Abstract for “Virtual Church and Virtual Symphony: Considering the Importance of Bodily Presence”

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I have been accepted to present the paper, “Virtual Church and Virtual Symphony: Considering the Importance of Bodily Presence,” at the Psychology and the Other 2021 Conference. It will be virtual this year, but I am still looking forward to it. If you would like the longer version or a copy of the paper, please contact me. I will be covering similar material to be my published article on liturgy, “The Weight of Bodily Presence in Art and Liturgy” (see the post here and download the pdf here).

Here is the short abstract:

This paper weighs in on the question of virtual church, particularly on whether or not liturgy can be done virtually. We will approach our subject from an unusual perspective by looking first to aesthetic experiences, such as watching a virtual symphony, and then relate them to liturgical experiences, such as attending virtual church. Art and liturgy are linked in that they both have the unique ability to facilitate presence, to make something known to us in a new way so that we walk away changed. I argue that what art teaches us about the importance of the body applies to the practice of liturgy and that, while unexpected benefits will surface in virtual settings, nothing replaces the powerful experiences that arise when the body is physically present.

Article Published: The Weight of Bodily Presence in Art and Liturgy

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I am happy to announce that my article, “The Weight of Bodily Presence in Art and Liturgy,” has been published! It was published in the journal Religions in a special issue entitled “Phenomenology and Liturgical Practice.” You can see the official post here (where you can read it online or download it). Or you can also download it from my profile on academia.

Here is a pdf of it here.

The Weight of Bodily Presence in Art and Liturgy by Hannah Lyn VenableDownload

If you have wondered about the advantages and disadvantages of doing virtual church during the pandemic, this is for you! Here is my abstract:

This essay addresses the question of virtual church, particularly on whether or not liturgy can be done virtually. We will approach our subject from a somewhat unusual perspective by looking to types of aesthetic experiences which we have been doing “virtually” for a long time. By exploring how we experience art in virtual and physical contexts, we gain insight into the corresponding experiences in liturgical practices. Drawing on Mikel Dufrenne, Maurice Merleau-Ponty and Gabriel Marcel, I first examine the importance of the body when we experience “presence” in aesthetic environments. Next, I consider the weight of the body in experiences of presence in liturgical practices, both in person and virtual, guided again by Gabriel Marcel as well as Bruce Ellis Benson, Emmanuel Falque, Christina Gschwandtner and Éric Palazzo. Through these reflections, I argue that what art teaches us about the significance of the physical closeness of the human applies to the practice of liturgy and that, while unexpected benefits will surface in virtual settings, nothing replaces the powerful experiences that arise when the body is physically present.